A visual exploration of decay begs questions about our relationships with other species.

Wrought begins with that universal moment of disappointment: despite all best efforts, our food has gone bad. But instead of turning away in disgust, Wrought zooms in with curiosity through timelapse photography.

Wrought explores how we construct categories for the world. It examines the categories of spoil, ferment, compost and rot, coaxing audiences to decompose the binary of human and non-human. We are forged from the relationships that transgress such binaries; we are all, indeed, wrought.